![]() ![]() I'd never have described Segel as limited in his acting range, but whether by his choice or Hollywood's perception of him, Segel's CV was dominated by one particular type of performance. He's always come across as too large in stature, too modern in tone to be invited to do period films or biopics or really any kind of project skewed towards the dramatic. Whether playing the romantically scorned Nick in “Freaks and Geeks” (or Peter in “Forgetting Sarah Marshall”), the psychotically romantically scorned Eric on “Undeclared,” the romantic but, in a key arc, grieving Marshall on “How I Met Your Mother,” Segel has always been able to infuse his clowns with a grounding of real pain or disappointment or passion.īut thinking back over Segel's resume, it was hard to point to any role that indicated Segel might be a chameleon. PARK CITY – It would be wrong to pigeonhole Jason Segel as simply a comedic actor. ![]()
0 Comments
Leave a Reply. |